What are the Hitchcock cameos in his movies?



THE LODGER (1926): At a desk in a newsroom and later in the crowd watching
an arrest.

EASY VIRTUE (1927): Walking past a tennis court, carrying a walking stick.

MURDER (1930): Walking past the house where the murder was committed, about
an hour into the movie.

BLACKMAIL (1929):  Being bothered as he reads a book in the subway.

THE 39 STEPS (1935):  Tossing litter while Robert Donat and Lucie Mannheim
run from the theater, seven minutes into the movie.

YOUNG AND INNOCENT (1938):  Outside the courthouse, holding a camera.

THE LADY VANISHES (1938):  Near the end of the movie, in Victoria Station,
wearing a black coat and smoking a cigarette.

REBECCA (1940): Standing close to a phone booth in the final part of the film.

FOREIGN CORRESPONDENT (1940):  Early in the movie, after Joel McCrea leaves
his hotel, wearing a coat and hat and reading a newspaper.

MR. AND MRS. SMITH (1941):  Midway through, passing Robert Montgomery in front
of his building.

SABOTEUR (1942):  Standing in front of Cut Rate Drugs in New York as the
saboteurs' car stops, an hour in.

SHADOW OF A DOUBT (1943):  On the train to Santa Rosa, playing cards.

LIFEBOAT (1944):  In the "before" and "after" pictures in the newspaper ad for
Reduco Obesity Slayer.

SPELLBOUND (1945):  Coming out of an elevator at the Empire Hotel, carrying
a violin case and smoking a cigarette, halfway through.

NOTORIOUS (1946):  At a party in Claude Rains's mansion, drinking champagne
and then quickly departing, an hour after the film begins.

THE PARADINE CASE (1947):  Leaving the train in Cumberland Station, carrying
a cello.

ROPE (1948): His trademark can be seen briefly on a neon sign in the view
from the apartment window.

UNDER CAPRICORN (1949):  In the town square during a parade, wearing a blue
coat and brown hat, in the first five minutes.  Ten minutes later, he is one
of three men on the steps of Government House.

STAGE FRIGHT (1950):  Turning to look at Jane Wyman in her disguise as
Marlene Dietrich's maid.

STRANGERS ON A TRAIN (1951):  Boarding a train with a double bass fiddle as
Farley Granger gets off in his hometown, early in the film.

I CONFESS (1953):  Crossing the top of a staircase after the opening credits.

DIAL M FOR MURDER (1954):  On the left side of the class-reunion photo, 
thirteen minutes into the film.

REAR WINDOW (1954):  Winding the clock in the songwriter's apartment, a half
hour into the movie.

TO CATCH A THIEF (1955):  Ten minutes in, sitting to the left of Cary Grant 
on a bus.

THE TROUBLE WITH HARRY (1955):  Walking past the parked limousine of an old
man who is looking at paintings, twenty minutes into the film.

THE MAN WHO KNEW TOO MUCH (1956):  Watching acrobats in the Moroccan 
marketplace (his back to the camera) just before the murder.

THE WRONG MAN (1956):  Narrating the film's prologue.

VERTIGO (1958):  In a gray suit walking in the street, 11 minutes in.

NORTH BY NORTHWEST (1959):  Missing a bus during the opening credits.

PSYCHO (1960):  Four minutes in, through Janet Leigh's window as she returns
to her office.  He is wearing a cowboy hat.

THE BIRDS (1963):  Leaving the pet shop with two white terriers as Tippi 
Hedren enters.

MARNIE (1964):  Entering from the left of the hotel corridor after Tippi
Hedren passes by, five minutes in.

TORN CURTAIN (1966):  Early in the film, sitting in the Hotel d'Angleterre 
lobby with a blond baby.

TOPAZ (1969):  Being pushed in a wheelchair in an airport, half an hour in.
Hitchcock gets up from the chair, shakes hands with a man, and walks off to 
the right.

FRENZY (1972):  In the center of a crowd, wearing a bowler hat, only minutes
into the film; he is the only one not applauding the speaker.

FAMILY PLOT (1976):  In silhouette through the door of the Registrar of Births
and Deaths, 40 minutes into the movie.